Eric Valosin
Aletheia Study VII
2012
Charcoal Erasure and Graphite on Paper
24x18
The seventh in a series of drawing Studies attempting to extract some drawing techniques from an intersection of Plato and Heidegger's views on truth. Here interaction of the two philosophies is drawn out to its most ambiguous point, with each creating and revealing the other in counterintuitive ways. The stained glass window through which the revealing shadow shines, is a variation on Raphael's Plato in the Temple

SEE MORE ON THIS PIECE HERE
PREV / NEXT   11 / 11
BACK TO ALETHEIA SERIES