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eric valosin drawing aletheia plato heidegger
Aletheia Study II
Graphite on Paper
18x24
2012

The second in a series of drawing Studies attempting to extract some drawing techniques from an intersection of Plato and Heidegger's views on truth. Heidegger's boots as if drawn by Plato. The ambiguity of form is created by Platonic ideal forms and layers of cast shadow amounting to a derivative of the ideal that we accept as true.

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